Monday, June 1, 2009

Free City Papers. www.diggers.org, 1966-1968.

Price, Roberta. Huerfano: A Memoir of Life in the Counterculture. Amherst and Boston: University of Massachusetts Press, 2004.

Romero, Julia. Huerfano County Ethno-History Documentation Project: Oral History Report. 1979.

Wolfe, Tom. The Electric Kool-Aid Acid Test. New York: World Journal Tribune Corporation, 1968.

Bey, Hakim. The Temporary Autonomous Zone, Ontological Anarchy, Poetic Terrorism. Brooklyn: Autonomedia, 1985.

Gordon, Alastair. Spaced Out: Crash Pads, Hippie Communes, Infinity Machines, and Other Radical Environments of the Psychedelic Sixties. New York: Rizzoli International Publishers, 2008.

Marcus, Greil. Lipstick Traces: A Secret History of the Twentieth Century. Cambridge: Harvard University Press, 1990.

Turner, Fred. From Counterculture to Cyberculture: Stewart Brand, The Whole Earth Network, and the Rise of Digital Utopianism. Chicago: University of Chicago Press, 2006.

Kwan, Miwon. One Place After Another: Site-Specific Art and Locational Identity. MIT Press, 2002.

Lacy, Suzanne ed. Mapping the Terrain: New Genre Public Art. Bay Press, 1995.

Lippard, Lucy. Lure of the Local. The New Press, 1997.

Johnstone, Stephen. The Everyday. Whitechapel and the MIT Press, 2008.

Bishop, Claire. Participation. Whitechapel and the MIT Press, 2006.

Purves, Ted ed. What We Want is Free: Generosity and Exchange in Recent Art. SUNY Press, 2005.

Kester, Grant. Conversation Pieces: Community + Communication in Modern Art. UC Press, 2004.

Coolidge, Matthew and Sarah Simons eds. Overlook: Exploring the Internal Fringes of America with the Center for Land Use Interpretation. Metropolis Books, 2006.

Peltason, Ruth ed. Creative Time: The Book. Princeton Architectural Press, 2007.

Thursday, May 21, 2009

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